Dodgers Dodged A Great Original Content Opportunity To Engage Fans

Article By Jonathan Tavssimgres-1

How exciting was it when the Dodgers were so hot at the end of the season to head into the MLB Post Season? For many in Los Angeles, just the thought that they will actually be able to watch the games on their television was enough to bring joy. Unfortunately, too many fans were unable to participate in the age-old ritual of being able to watch nearly any game on television because they didn’t have Time Warner Cable. For those who have sports superstitions (like I do), could it be too easy to blame the collapse on the very fact that many who couldn’t watch games when the Dodgers were playing lights-out could suddenly view every moment and, therefore, break the sports-win continuum? Naah! You can’t blame it on that. But the frustration the team felt with their post-season performance and the fans felt in not being able to watch as many games could possibly have been lessened if the Dodgers (and MLB) didn’t miss a golden opportunity to engage fans with original content production off the field.

Justin Turner #10 of the Los Angeles Dodgers reacts after striking out in the ninth inning against the St. Louis Cardinals in Game Four of the National League Divison Series at Busch Stadium on Oct. 7, 2014 in St Louis, Missouri. JAMIE SQUIRE/GETTY IMAGES

Photo by Jamie Squire

The blown opportunity – like the blown mid-inning pitching and saves on the field – can be found in Continue reading

Joss Whedon: Reinventing Hollywood by Giving Away Apple TVs

This month’s Story Entrepreneur award goes to Joss Whedon.Unknown-2

And here’s why …

Last month, while Joss Whedon was on set filming The Avengers, his film In Your Eyes debuted at the Tribeca Film Festival where he then announced that the film would be available to rent immediately via the film’s site, powered by Vimeo, for only $5. Not only is that a fabulous digital distribution plan with direct monetization, but what happens next makes this film strategy ground breaking.

Basically, he had an audience strategy!

Screen Shot 2014-06-05 at 1.49.12 PMOnce audiences started renting the movie, Joss and team started sending out thank you gifts! Yes, they sent gifts thanking their audience for watching. And they were not small gifts, they sent Apple TVs, Xbox Ones, Weber grills and cacti! And they sent them to audiences around the world in Germany, Australia and the UK!

This distribution model and reverse crowdsourcing is brilliant, on so many levels! Here’s a few … Continue reading

21st Century Story Development: Know Your Audience

Hollywood no longer needs to work so hard to lead audiences to story …

…. Because today audiences can lead Hollywood to future success stories!

k48byeHere in the 21st century, storytellers don’t need to wait for audience testing to see how audiences respond and react to their story. Audiences are connected, vocal and living in digital spaces allowing for storytellers to get to know their audience early and to use this information to help guide the development of story and cross-platform story experiences that resonate and move audiences.

UnknownIn the past, a story was written and produced then handed over to marketing executives to sell the story to audiences. Then they would test the story to find out what audiences are and are not liking, tailor the marketing campaign to highlight what a particular audience will like in hopes of gaining their attention when the story premieres on TV, in theaters, etc.

Today, stories can emerge in development based on knowing the types of stories audiences are already attracted to. Audiences are living digital lives that make their story choices, behaviors and opinions accessible to help guide producers in developing successful stories. There is no reason to wait until after production dollars have been spent because you can check in with audiences early, in development.

What does this mean?

It means that in development, identify the audience you want to reach, get to know them via an audience discovery process that analyzes hard data, psychometrics and social metrics. The insights gleaned from this stage then becomes the compass that guides story development and audience engagement that results in the creation of successful story properties.

It’s working for Netflix. Their original show House of Cards emerged from data that showed Netflix’ customers liked the UK’s House of Cards, Kevin Spacey and binge viewing. Poof! Instant success, achieved in development by using data that showed them who their audience was, how they consume story and what stories they liked.

Another indication that in 21st century storytelling the audience matters and listening to them is critical for success!

 

The Evolution of TV: Is “House of Cards” a TV Show or a Book (What!?!)?

House-of-Cards-PosterAs “TV shows” begin to release via digital distribution models (such as House of Cards), it begs the question, “Are these shows still TV shows?” The phrase “TV show” refers to the medium that the story is being released on  (TV), so can House of Cards be considered a TV show when it’s released digitally? As more and more stories are crafted for digital distribution, can we continue to call them TV shows?

For the purpose of fitting into an existing industry model Netflix would want House of Cards to be called a TV show. In order to be considered for awards such as the Emmy’s, they need to adhere to the old model and call themselves a TV show. But if we are to evolve towards embracing new modes of story telling, can we really continue to call House of Cards a TV show?

“Episodics” and Binge Viewing

It would be more apropos to consider House of Cards an “episodic” than a TV show. Digital episodic storytelling is more like storytelling via books as the story is told in chapters (or episodes), and the viewer can consume one episode at a time or one after another. Continue reading